Hug™

One of the included desktop backgrounds

For your inspiration, four minimal desktop backgrounds featuring the beautiful Museo Sans typeface. Here’s the download link.

Take-away cups, designed by Grisha Sorokin a young russian designer.

source Shokoladnica via @gribi

via Photojojo Store

Our world is full with symmetries. Check out this wonderful video by the folks at Everynone, in collaboration with WNYC | Radiolab. This video was inspired by an epsisode on Radiolab called Desperately Seeking Symmetry.

via Things Organized Neatly

Weird Mouse from Canon with a numeric keypad and built-in calculator.

via Denis

Marius Roosendaal is a designer and art director from Amersfoort, the Netherlands.

via ALCHEMYcreative

An emotional story about a man and his car.

designed by Helmut Smits

Robick — an audio player for your iPhone.

Listening to the right music while you work on your designs can have an great influence. It affects your mood, it impacts your concentration and pace.

One of my favorite songs I listen to while I work is Flickermood by Forss.

Robick is an app for the iPhone that lets you “deep listen” to your music. It allows you to on the fly change the properties of your track such as tempo, pitch and key. You can listen to your favorite track, differently every time. And for the designers it has a clean interface and will look great on your iPhone.

via Hivelogic

A presentation of NeXTSTEP done by Steve Jobs about 20 years ago.

image via lovely stuff

When you design a product, like it or not it but takes a personality with it’s users. We are relational beings and we create emotional connections to the products we use regularly. This means we feel certain ways about our phone, our email app, our car and the bank we use.

Like humans, products can make a good or a bad first impression. A product can come accross as interesting or boring, respectful or rude, it can inspire trust or confusion.

Illustration by Rory Phillips via Baubauhaus.

Paul Rand in Graphis, 1981

Design is a way of life, a point of view. It involves the whole complex of visual communications: talent, creative ability, manual skill, and technical knowledge. Aesthetics and economics, technology and psychology are intrinsically related to the process.

Paul Rand said this in 1981. These words didn’t just stand the test of time, but are more true today than they were thirty years ago.

You can’t just be an illustrator anymore. You have to know also how to digitize your work, how to present it to the client and sell it. If you can’t do one of these you really shouldn’t call yourself a designer.

via Imprint

Huggable is a term we use to describe the type of design work we aim to produce at Hug™.

A hug is an intimate way of expressing emotions and indicates familiarity, love, affection and friendship. A huggable design is one that goes an extra mile to put a smile on your face.

Our goal at Hug™ is to help our clients improve the experience on their apps and websites. We do it by focusing on the emotional side of the design, with colors, illustrations and strategies meant to give your product a human personality.

We will be accepting work in a few months.

Source: An article about Dieter Rams on Yatzer™

via Interuserface

Visual identity takes many forms, from the most superficial of trademarks to the most integrated of design signatures. Shapes are part of its language. At their most basic, shapes are universal, untetherable to any name, product, or brand. But in context, in their intersections and in the synthesis of forms, they are powerful.

Great point.

Video by Nate Milton via MailChimp

Ji Lee on CreativeMornings via swissmiss.

Ji Lee worked a Creative Director position at Google. Now does the same for Facebook. He talks about Professional and Personal projects, and how they can come together to create “awesome”.